Movies: Joyce Wieland
- 1967
Wavelength (1967)
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Wavelength consists of almost no action, and what action does occur is largely elided. If the film could be said to have a conventional plot, this would presumably refer to the three “character” scenes. In the first scene two people enter a room, cha...
- 1970
Zorns Lemma (1970)
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Zorns Lemma is a 1970 American structuralist film by Hollis Frampton. It is named after Zorn's lemma (also known as the Kuratowski–Zorn lemma), a proposition of set theory formulated by mathematician Max Zorn in 1935. Zorns Lemma is prefaced with a ...
- 1974
‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen (1974)
‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen7.91974HD
Various unrelated vignettes, often juxtaposing sound and image....
- 1967
For Life, Against the War (1967)
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First shown on January 30, 1967, FOR LIFE AGAINST THE WAR was an open-call, collective statement from American independent filmmakers disparate in style and sensibility but united by their opposition to the Vietnam War. Part of the protest festival W...
- 1969
Reason Over Passion (1969)
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The film consists primarily of degraded footage of landscapes shot from vehicles moving across the country; meanwhile, 537 computer-generated permutations of the film’s title appear like subtitles—the letters are scrambled over and over again, underm...
- 1968
Rat Life and Diet in North America (1968)
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“This film is against the corporate military industrial structure of global village.”...
- 1964
New York Eye and Ear Control (1964)
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A cutout of a woman's silhouette is displayed in many locations while a free jazz soundtrack is heard. The jazz musicians later pose for the camera in a studio....
- 1984
A and B in Ontario (1984)
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Joyce Wieland: “Hollis and I came back to Toronto on holiday in the summer of '67. We were staying at a friend's house. We worked our way through the city and eventually made it to the island. We followed each other around. We enjoyed ourselves. We s...
- 1976
The Far Shore (1976)
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A young woman marries a wealthy man she isn't in love with, but finds romance instead with the couples' painter friend....
- 1966
Manual of Arms (1966)
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In this "fourteen-part drill for the camera," Frampton created a portrait gallery of his art-world friends engaging in a variety of ordinary activities....
- 1967
Cat Food (1967)
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A cat eats its methodical way through a polymorphous fish....
- 2016
Portrait of Snow (2016)
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A serendipitous encounter with a younger artist gives legendary Canadian art icon Michael Snow the opportunity to reflect on his life and career....
- 1965
Water Sark (1965)
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"I decided to make a film at my kitchen table, there is nothing like knowing my table. The high art of the housewife. You take prisms, glass, lights and myself to it. 'The Housewife is High.' Water Sark is a film sculpture, being made while you wait....
- 1973
Solidarity (1973)
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About a strike in which women are involved, but told in a very different way....
- 1985
Home Movies 1971-81 (1985)
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Home movies shot on Super 8mm by W+B Hein over 10 years....
- 1965
Barbara’s Blindness (1965)
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Constructed from found and stock footage, Barbara’s Blindness is a meditation on vision and adversity, drawing humour and pathos from a moralising educational film....
- 1964
Patriotism (1964)
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Patriotism, Part One depicts an army of phallic, bun-clad wieners marching on a vulnerable sleeping white male body, naked save for a sheet....
- 1967
Bill's Hat (1967)
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"The whole film are non-art portraits of people in which they do what they want with this hat – and therefore, act or stand in front of my camera. It’s only love: therefore it can’t harm you". Joyce Wieland....
- 1967
Handtinting (1967)
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Handtinting, a five-minute silent study of young girls dancing, swimming, and observing one another by Joyce Wieland, […] has a quality that is reminiscent of cognitive dilemmas in some of her other films but that has few counterparts in avant-garde ...
- 1987
Artist on Fire: Joyce Wieland (1987)
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Considered one of Canada's most important women artists of the second half of the 20th century, Joyce Wieland's art embodies the essence of her homeland, feminism, and ecology. Artist on Fire: Joyce Wieland captures the vibrant spirit of this painter...