Movies: Lillian Schwartz
- 2017
Raymond Roussel: The Day of Glory (2017)
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A tortuous journey, in the company of the Spanish painter Salvador Dalí, around the figure of the enigmatic and visionary French poet Raymond Roussel (1877-1933)....
- 1972
Apotheosis (1972)
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“Apotheosis, which is developed from images made in the radiation treatment of human cancer, is the most beautiful and the most subtly textured work in computer animation I have seen.” – Roger Greenspun, N. Y. Times Award Foothills-1973....
- 1971
UFOs (1971)
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Blasting off into cosmic visual abstraction, pioneering computer artist Lillian Schwartz’s UFOs is a kinetic tour-de-force whose innovative pixel pigmentation showcased advanced stereoscopic technology as art....
- 1971
Some of My Best Friends Are... (1971)
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Regulars gather at The Blue Jay, a gay bar in Manhattan's Greenwich Village, to celebrate Christmas Eve 1971 with people they consider family....
- 1972
Mutations (1972)
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“The changing dots, ectoplasmic shapes and electronic music of L. Schwartz’s ‘Mutations’ which has been shot with the aid of computers and lasers, makes for an eye-catching view of the potentials of the new techniques.” – A. H. Weiler, N. Y. Times...
- 1971
Olympiad (1971)
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Study in motion based on Muybridge’s photographs of man running....
- 1972
Googolplex (1972)
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Extended editing techniques based on Land’s experiments affect the viewer’s sensory perceptions....
- 2005
OHM+: The Early Gurus Of Electronic Music : 1948–1980 (2005)
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Over two hours of rare performances, interviews, animations, and experimental video. Milton Babbit’s discussion of the difficulties of working with archaic synthesizers in the Columbia-Princeton Electronic Music Center in the 1950s and ’60s is a fir...
- 1972
Mis-Takes (1972)
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A colorful collage, with a subtle ecology theme, made largely from footage from trial runs of programs used for many of the other films....
- 1970
Pixillation (1970)
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Pixillation features computer generated abstract animations set to Moog-synthesized sound....
- 1972
Affinities (1972)
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A ballet of squares and octagons in many forms, exhibiting a variety of geometric and sometimes sensuous interactions....
- 1986
Beyond Picasso (1986)
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Schwartz reordered and combined angular contours, broken planes, and distorted proportions in her own pictorial structures in an homage to Picasso's style....
- 1976
The Artist and the Computer (1976)
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Pioneering artist Lillian Schwartz demonstrates the human input -- integrity, artistic sensibilities, and aesthetics -- that goes into producing early computer art. In voice-over she explains the intent behind a number of her films and offers insight...
- 1994
Reflections (1994)
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A 4 minute film based on flowing changing images from liquid-like faces to flashing abstract imagery....
- 1973
Innocence (1973)
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Computer generated music and visuals films directly from a color TV monitor....
- 1976
Fantasies (1976)
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Computer generated images used as counterpoint to music “Fantasia & In Nomine” by John Ward, performed by Elizabeth Cohen, Max Mathews, and Gerard Schwarz....
- 1972
Enigma (1972)
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“Lines and rectangles are the geometric shapes basic to ENIGMA, a computer graphics film full of subliminal and persistent image effects. In a staccato rhythm, the film builds to a climax by instantly replacing one set of shapes with another, each se...
- 1978
Newtonian I (1978)
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An illusion of 3 dimensions is achieved by a blending of mathematics and physics to carry the spectator through a new range of audio and visual dynamics....
- 1975
Kinesis (1975)
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Escher-like images stepping through the frames to the music of a jazz group. Delightful–shows a depth in the imagery not accomplished by computer before....
- 1977
Bagatelles (1977)
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Abstract images of frame-by-frame animation with subtle growing effects of crystals are enhanced by polarized colors....